Gloria sei, wieder! Glory be, again!

Gloria sei dir gesungen

Glory to Thee be sung

Mit Menschen- und mit Engelzungen,

With singing folk and singing angels,

Mit Harfen und mit Zimbeln schön.

With harp and beautiful cymbals.

Von zwölf Perlen sind die Tore

Of twelve pearls are the doors

An deiner Stadt, wir stehn im Chore

In Thy city, we stand with the choir

Der Engel hoch um deinen Thron.

of angels high on the throne.

Kein Aug hat je gespürt,

No eye has yet seen,

Kein Ohr hat mehr gehört

No ear has ever heard

Solche Freude!

Such joy!

Des jauchzen wir und singen dir

So we rejoice and sing to Thee

Das Halleluja für und für!

That Alleluja forever and ever!

Gloria sei! Glory Be!

Now let all the heavens adore Thee,

Let saints and angels sing before Thee,

With harp and cymbal’s clearest tone;

Of one pearl each shining portal,

Where, joining with the choir immortal,

We gather round Thy radient throne;

No eye has seen the light,
No ear has heard the might

Of Thy glory;

Therefore will we
Eternally
Sing hymns of praise and joy to Thee!

Zion hört! Zion hears!

Zion hears the watchmen singing,

And all her heart with joy is springing;

She wakes, she rises from her gloom;

For her Lord comes down all glorious,

The strong in grace, in truth victorious.

Her Star is risen, her Light is come.

Now come, Thou Blessèd One,
Lord Jesus, God's own Son:

Hail! hosanna!
We enter all
The wedding hall

To eat the Supper at Thy call.

Wachet auf! Wake up!

"Wake, awake, for night is flying,"

The watchmen on the heights are crying;

"Awake, Jerusalem, arise!"

Midnight hears the welcome voices

And at the thrilling cry rejoices;

"Oh, where are ye, ye virgins wise?

The Bridegroom comes, awake!

Your lamps with gladness take!

Alleluia!
With bridal care
Yourselves prepare

To meet the Bridegroom who is near."

Exploring Music: Rachmaninoff Vespers

Last week on Exploring Music the topic was Sergei Rachmaninoff.  There's something about Russian choral music of this time that is lush and thick.  It might be that while my favorite hymns are in 4-part harmony, Russian liturgical music of this time often had 8 or more parts.

For his setting of "Joyous Light of Glory" in Vespers, Rachmaninoff starts off simply enough, with the tenor part alone, then adding in layers and layers and layers.  In the embed below, you can see how he splits the different voices in different places, sometimes the Soprano isn't singing at all, and the 2nd soprano is split into 3.  You can follow the music in the video.  For an English translation, see page 244 in Lutheran Service Book (Phos Hilarion - Hymn of Light).

Another surprise in this Vespers is the use of the Gloria in the Great Doxology (also called "Greater Doxology").  While Christians of the Western Rite probably think of the Gloria for our mass and the Doxology as something sung to Old Hundredth, it appears that Christians of the Eastern Rite sing a longer version of the Gloria during daily prayer services as well.  You can catch the entire text here.  There is a curious placement of the phrase, "And the Holy Spirit" in this version.

O Lord, Heavenly King,
God the Father Almighty,
O Lord the Only-begotten Son,
Jesus Christ,
and the Holy Spirit,
O Lord God,
Lamb of God,
Son of the Father,

The Western Gloria places the phrase later in the text, near the end.

For Thou only art holy;
Thou only art the Lord,
Thou only, O Christ, with the Holy Ghost [Spirit],
art most high in glory of God the Father. Amen.

Here is the complete text from the Eastern Rite, set to music by Rachmaninoff.

If this is the Greater Doxology, what is the Lesser Doxology? This one is closer in length to the "Common" Doxology sung to Old Hundredth. It is also known as the Minor Doxology.  Here it is in Latin and English, plus the Common Doxology.

Lesser Doxology

Gloria Patri,
et Filio,
et Spiritui Sancto
Sicut erat in principio,
et nunc, et semper,
et in sæcula sæculorum. Amen.

Glory to the Father
and to the Son
and to the Holy Spirit [Old English: Ghost]
as it was in the beginning,
and now and always and in the ages of ages.* Amen.

*world without end
*from age to age
*forever [and ever]

Common Doxology

Praise God, from whom all blessings flow;
Praise Him, all creatures here below;
Praise Him above, ye heavenly host:
Praise, Father, Son, and Holy Ghost. Amen.

Now, I do not come from the Eastern Tradition, so if those of you who do have any corrections OR your Latin is better than mine, feel free to drop any updates into the comment section.

WORD ALERT: The term "doxology" literally means "praise word".  In Christian circles it usually involves a praising the Triune God, The one-God-in-three-persons, Father, Son, and Holy Spirit.

Time Out Twofer: #'s 39 and 40

Meanwhile, back at LutheranTimeOut.org, two episodes have posted I last reported on the broadcasts.

Episode 39 features the hymn "Abide, O Dearest Jesus" (LSB 919).  Southern Lutheran Kantor uses the organ's strings and chimes to showcase the melody.

I am not sure how this one ended up in the "Close of Service" section of the hymnal.  If I had to pick a section, probably it would be "Prayer" or "Evening."

Abide with heavenly brightness

Among us, precious Light;

Your truth direct and keep us

From errors gloomy night.

Then again, the hymn on the opposite page is also in the "Close of Service" section and it contains the line, "Open now the crystal fountain whence the healing stream doth flow..."  When this hymn comes up as a closing, I wonder why we would ask this of our Lord after receiving Absolution, the Word and the Eucharist.  In the words of Arsenio Hall, it kind of makes you go... hmmmm...

On a more serious note, Episode 40 features the hymn "In God My Faithful God" (LSB 745).  I would like to highlight Rev. Todd Peperkorn's book I Trust When Dark the Road. The title is drawn from the second line of this hymn.  For those who are struggling with depression (sometimes you don't even know that you are, but your life is just a mess and you can't figure out why), this book offers help.  Pastor Peperkorn has pulled through his own bout with depression, and offers scriptural insights.

Another beautiful thing about this book is that it is available as a FREE DOWNLOAD here.

In God, my faithful God,

I trust when dark the road;

Great woes may overtake me,

Yet He will not forsake me.

My troubles He can alter;

His hand lets nothing falter.

Peters on Preaching: How NOT to use a Prooftext

Anyone who has had to do a research paper knows you have to prove your point. Cite your sources. Don't forget your footnotes, endnotes, add in that little number at the end of your thought, and document everything.

When I look back on my own papers, it was really easy to string together citations from various resources in an attempt to make my point. They call this "prooftexting" and it is often used in preaching as well.

This will get you an OK grade, but it doesn't make a great paper, and it doesn't make for good preaching, either. Pastor Peters tackled this topic in a recent post.  Here is an excerpt:

When I was in Seminary, one of my homiletical professors told us that every point in your sermon must be supported by a proof text. Suffice it to say that this resulted in either sermons with few points to supported or long sermons that ended up stringing Bible passage after Bible passage. Once, in another homiletics class, I was crunched for time and fudged by turning in a sermon written for this above mentioned professor. The second professor called me aside and said that while there was nothing "wrong" with the sermon, I was to promise him that I would never preach that way in the parish.

I encourage laity and clergy alike to read this post and the excellent comments by Rev. Eric Brown. For clergy, it may help shape your message in a different way. For laity, it may help open you understand to your pastor's style.  For students of any age, it may give you ideas for improving your next term paper.

By the way, if you watch EWTN's Journey Home, you may have heard from a guest or two that Luther practiced prooftexting.  This is NOT the case and Pastor Peters spends a few sentences on Luther's style in his post.